The layout follows the ready-made grid of photographer’s frames for archival copies, residues from the time of analogue photography. Images of plants are shown next to portraits of Brazilians - a transitory record of a Brazilian travel experience. Periodically a shop window’s beauty appears, wearing only ribbons of words. Text-fragments run along the frames as a continuous monologue.

Concept and realisation: Krassimira Drenska 2006. Cyanotypes on Japanese paper, 25 x 38 cm, in a Brazilian tropical-wood case, measuring 60 x 60 cm.